dramatics

英 [drəˈmætɪks]

美 [drəˈmætɪks]

n.  夸张的行为; 做作的感情表露

BNC.49181 / COCA.33536

牛津词典

noun

• 夸张的行为；做作的感情表露
  behaviour that does not seem sincere because it is exaggerated or too emotional

柯林斯词典

• N-UNCOUNT 戏剧表演;戏剧创作
  You usedramaticsto refer to activities connected with the theatre and drama, such as acting in plays or producing them.
  1. Angela says she longs to join an amateur dramatics class.
     安杰拉说她渴望参加业余戏剧班。
  2. ...the university dramatics society.
     大学戏剧社团
• N-PLURAL 夸张的行为;做作的举止
  You talk aboutdramaticsto express your disapproval of behaviour which seems to show too much emotion, and which you think is done deliberately in order to impress people.
  1. ...another wearisome outbreak of Nancy's dramatics.
     南希又一次令人厌烦的装腔作势的举动

英英释义

noun

• participation in theatrical productions as an extracurricular activity
• the art of writing and producing plays
  Synonym:dramaturgydramatic arttheatertheatre

双语例句

• London four years hence will inevitably seem like amateur dramatics in comparison and sensible Londoners would hope that no one would even try to match it.
  相比之下，4年后伦敦奥运的开幕式会不可避免地看上去像是业余演出，而明智的伦敦人则不会希望有人会想跟北京奥运比排场。
• His friends were tired of all his phony dramatics.
  他的朋友厌烦了他虚伪的做作。
• The choice of a daily-life style over a dramatic one does not remove dramatics from the narrative.
  第一，叙事情节上，用日常性去代替戏剧性，但并不是取消了戏剧性。
• Appreciate ability and view shadow-interesting development and change with film audience, having facilitated the record element and behaving in practice of the film, the integration with primitive dramatics.
  然而随着电影观众欣赏能力和观影趣味的发展变化，促成了电影实践中纪实性元素与表现性，戏剧性原始的融合。
• When a play finishes its run, many of the costumes are hired out to amateur dramatics companies and schools.
  一部戏剧连演结束后，很多服装都会租借给业余剧团和学校。
• His dramatics made all of us laugh.
  他那戏剧性的动作使我们大家都笑了。
• I would have the children do more handiwork, dramatics, and dancing.
  我倒是希望让孩子们多做一些手工劳作，多演演戏剧，多跳跳舞。
• She engaged in dramatics.
  她从事戏剧活动。
• According to the paper, Li Yu proposed an outlook on drama's function known as "follow up the audience random interest", and delineated the indispensable obligation of the audience for the development of dramatics as an art.
  文章指出：李渔从观众立场出发提出了机趣的戏剧功能观，并揭示了观众对戏剧艺术发展负有不可推卸的责任。
• It first puts emphasis on music dramatics in opera creation;
  第一部分重在阐述歌剧创作中音乐的戏剧性问题；